1 00:00:04,971 --> 00:00:06,617 - PREVIOUSLY ON 2 00:00:06,641 --> 00:00:08,308 "MYSTERY, INCORPORATED..." 3 00:00:08,375 --> 00:00:09,620 - THERE IT IS... 4 00:00:09,644 --> 00:00:10,910 THE UNDERSEA TOWN! 5 00:00:11,011 --> 00:00:13,156 - I THINK THAT'S - THE LOST TOWN OF MISSIONARIES 6 00:00:13,246 --> 00:00:14,308 THAT DISAPPEARED 7 00:00:14,332 --> 00:00:15,415 ABOUT 300 YEARS AGO. 8 00:00:15,515 --> 00:00:19,085 - THERE IS NO ESCAPE! 9 00:00:19,185 --> 00:00:22,355 NIBIRU... 10 00:00:22,422 --> 00:00:23,734 - IT SOUNDED LIKE... - NIBIRU. 11 00:00:23,857 --> 00:00:25,002 MY FAVORITE 12 00:00:25,026 --> 00:00:26,192 INTERNET ENCYCLOPEDIA SAYS 13 00:00:26,259 --> 00:00:27,571 THE NIBIRU COLLISION IS 14 00:00:27,595 --> 00:00:28,928 A DISASTROUS ENCOUNTER 15 00:00:29,029 --> 00:00:30,207 BETWEEN THE EARTH 16 00:00:30,231 --> 00:00:31,431 AND A LARGE PLANETARY OBJECT. 17 00:00:31,531 --> 00:00:33,610 I HAVE COBBLED TOGETHER 18 00:00:31,531 --> 00:00:35,735 THE PLANOSPHERIC DISC. 19 00:00:33,634 --> 00:00:35,835 A RUDIMENTARY PLAYER FOR 20 00:00:35,835 --> 00:00:37,771 - [ALL GASP] NIBIRU! 21 00:00:37,871 --> 00:00:39,205 - DOOMSDAY! 22 00:00:39,272 --> 00:00:40,818 - NIBIRU. 23 00:00:40,842 --> 00:00:42,409 [LAUGHTER] 24 00:00:49,215 --> 00:00:50,683 [CRICKETS] 25 00:00:50,750 --> 00:00:52,229 - WELCOME, 26 00:00:52,253 --> 00:00:53,753 VOLUNTEER STAGE HANDS. 27 00:00:53,853 --> 00:00:55,382 THANKS TO YOUR COURT-ORDERED 28 00:00:55,406 --> 00:00:56,956 COMMUNITY SERVICE, 29 00:00:57,057 --> 00:00:58,977 - YOU GET TO BE A PART OF - THIS YEARLY TRADITION 30 00:00:59,059 --> 00:01:00,738 WHERE WE THEATRICALLY RECREATE 31 00:01:00,762 --> 00:01:02,462 SOMETHING HORRID 32 00:01:02,562 --> 00:01:03,991 FROM OUR CITY'S 33 00:01:04,015 --> 00:01:05,465 SORDID PAST. 34 00:01:06,800 --> 00:01:08,445 - AND WHAT COULD BE - MORE HORRID 35 00:01:08,568 --> 00:01:09,997 THAN THAT NIGHT 36 00:01:10,021 --> 00:01:11,471 500 YEARS AGO 37 00:01:11,571 --> 00:01:13,139 WHEN A TERRIFYING EARTHQUAKE 38 00:01:13,239 --> 00:01:14,334 SENT THE FIRST TOWN 39 00:01:14,358 --> 00:01:15,475 OF CRYSTAL COVE 40 00:01:15,575 --> 00:01:17,477 SINKING INTO THE SEA? 41 00:01:17,577 --> 00:01:19,056 ALL WOULD HAVE PERISHED 42 00:01:17,577 --> 00:01:20,580 THE BRAVE EFFORTS 43 00:01:19,080 --> 00:01:20,647 IF IT WEREN'T FOR 44 00:01:20,647 --> 00:01:23,049 OF FRIAR GABRIELLO SERRA 45 00:01:23,116 --> 00:01:25,752 AND HIS TRUSTY DONKEY PORTO. 46 00:01:25,819 --> 00:01:26,847 AND I'M VERY PLEASED 47 00:01:26,871 --> 00:01:27,921 TO ANNOUNCE 48 00:01:27,987 --> 00:01:29,299 THAT THE ROLE OF FRIAR SERRA 49 00:01:29,323 --> 00:01:30,657 WILL BE PLAYED BY 50 00:01:30,757 --> 00:01:32,886 NONE OTHER THAN 51 00:01:30,757 --> 00:01:35,061 MASTER THESPIAN 52 00:01:32,910 --> 00:01:35,128 CRYSTAL COVE HIGH'S 53 00:01:35,128 --> 00:01:36,996 DOOGLE McGINNIS! 54 00:01:40,400 --> 00:01:42,268 - TA! HOW'S EVERYBODY DOING? 55 00:01:42,335 --> 00:01:43,564 - WELL, DOOGLE, 56 00:01:43,588 --> 00:01:44,838 READY TO REHEARSE? 57 00:01:44,938 --> 00:01:46,339 - CHA! YOU BET! 58 00:01:46,439 --> 00:01:47,517 BUT, UM, 59 00:01:47,541 --> 00:01:48,641 WHAT'S WITH THE DEAD GUY? 60 00:01:48,741 --> 00:01:50,187 - BURLINGTON LIBRARY SENT OVER 61 00:01:50,211 --> 00:01:51,678 GENUINE ARTIFACTS 62 00:01:51,778 --> 00:01:52,856 TO HELP LEND OUR PRODUCTION 63 00:01:52,880 --> 00:01:53,980 AUTHENTICITY, 64 00:01:54,080 --> 00:01:56,076 INCLUDING THE MUMMIFIED BODY 65 00:01:56,100 --> 00:01:58,118 OF FRIAR SERRA HIMSELF. 66 00:01:58,184 --> 00:01:59,919 ISN'T THAT WONDERFUL? 67 00:01:59,986 --> 00:02:00,920 [CLICKS] 68 00:02:00,987 --> 00:02:01,982 WHAT HAPPENED 69 00:02:02,006 --> 00:02:03,022 TO THE LIGHTS? 70 00:02:03,123 --> 00:02:04,568 - [CREAKS] - [HISSING] 71 00:02:04,657 --> 00:02:08,461 - [LOW ROARING] 72 00:02:08,528 --> 00:02:09,863 - AAH! AH! 73 00:02:09,963 --> 00:02:12,132 - [ALL SCREAMING] 74 00:02:12,198 --> 00:02:13,844 - [GROWLS] - [BOTH GASP] 75 00:02:13,967 --> 00:02:16,669 - [ROARS] 76 00:02:16,769 --> 00:02:19,272 - [BOTH SCREAMING] 77 00:02:24,477 --> 00:02:26,980 - [GRUNTING AND WHIMPERING] 78 00:02:27,046 --> 00:02:28,781 - [ROARS] 79 00:02:28,848 --> 00:02:30,316 - [SCREAMS] 80 00:02:30,383 --> 00:02:32,619 - [GROWLS] 81 00:02:34,154 --> 00:02:35,799 - [SNARLS] - [SCREAMS] 82 00:02:38,658 --> 00:02:40,988 - ANYONE WHO DARES TELL MY STORY 83 00:02:41,012 --> 00:02:43,363 IS DOOMED! 84 00:03:15,195 --> 00:03:17,263 - SCOOBY-DOOBY-DOO! 85 00:03:34,180 --> 00:03:35,375 {\an8}- UP THE SERVANT STAIRCASE, 86 00:03:35,399 --> 00:03:36,616 {\an8}QUICK! 87 00:03:38,117 --> 00:03:39,930 - {\an8}- BUT DAPHNE, - {\an8}YOU DON'T HAVE TO DO THIS. 88 00:03:40,053 --> 00:03:41,354 {\an8}- YES, FRED, I DO. 89 00:03:41,421 --> 00:03:42,765 - {\an8}YOU CAN'T KEEP LIVING - {\an8}BY THE RIVER 90 00:03:42,789 --> 00:03:44,190 {\an8}IN THE MYSTERY MACHINE. 91 00:03:44,257 --> 00:03:45,625 {\an8}YOU'RE BEGINNING TO... SMELL. 92 00:03:45,725 --> 00:03:47,069 - {\an8}- BUT I'VE BEEN USING - {\an8}MY HOBO SOAP. 93 00:03:47,093 --> 00:03:48,461 {\an8}- HOBO SOAP? 94 00:03:48,561 --> 00:03:49,939 - {\an8}- A PINE CONE DIPPED - {\an8}IN DEER SWEAT 95 00:03:49,963 --> 00:03:51,575 - {\an8}AND SCENTED - {\an8}WITH FERRET MUSK. 96 00:03:51,698 --> 00:03:53,566 {\an8}- BLECH. 97 00:03:53,633 --> 00:03:55,435 {\an8}- [SNIFFS] HMM. 98 00:03:58,571 --> 00:03:59,772 - WHOA. 99 00:04:02,976 --> 00:04:03,987 - YOU AND NOVA SHOULD BE 100 00:04:04,011 --> 00:04:05,044 OK IN HERE. 101 00:04:05,111 --> 00:04:06,473 BATHROOM'S IN THERE. 102 00:04:06,497 --> 00:04:07,880 THERE'S REAL SOAP IN THE SHOWER. 103 00:04:07,947 --> 00:04:09,582 USE IT. 104 00:04:09,649 --> 00:04:10,794 - I'LL VISIT YOU 105 00:04:10,818 --> 00:04:11,985 EVERY DAY. 106 00:04:13,419 --> 00:04:14,721 [BELL DINGS] 107 00:04:14,787 --> 00:04:16,547 - LIKE, IT'S A TEXT - FROM VINCENT VAN GHOUL. 108 00:04:16,589 --> 00:04:18,758 - WHAT DOES IT SAY? 109 00:04:18,825 --> 00:04:20,293 "HEEP"? 110 00:04:20,393 --> 00:04:21,828 WHAT THE HECK'S THAT MEAN? 111 00:04:21,928 --> 00:04:23,630 - I MEANT TO TYPE "HELP." 112 00:04:23,730 --> 00:04:24,925 I'M NO GOOD WITH 113 00:04:24,949 --> 00:04:26,165 THESE NEW-FANGLED GADGETS. 114 00:04:26,266 --> 00:04:27,277 BUT I WAS IN 115 00:04:27,301 --> 00:04:28,334 SUCH A PANICKED STATE... 116 00:04:28,434 --> 00:04:29,646 MAYOR NETTLES CALLED 117 00:04:28,434 --> 00:04:30,903 OVER THE PLAY. 118 00:04:29,670 --> 00:04:30,970 AND ASKED ME TO TAKE 119 00:04:30,970 --> 00:04:32,582 EVIDENTLY, THE DIRECTOR 120 00:04:32,606 --> 00:04:34,240 AND THE STAR SUDDENLY QUIT. 121 00:04:34,307 --> 00:04:35,885 - OBVIOUSLY, - I JUMPED AT THE CHANCE. 122 00:04:35,975 --> 00:04:37,821 - I'M A GREAT SUPPORTER - OF AMATEUR DRAMATICS. 123 00:04:37,944 --> 00:04:39,539 AND TRUTH BE TOLD, 124 00:04:39,563 --> 00:04:41,180 MY CAREER COULD USE A GOOSE. 125 00:04:41,281 --> 00:04:43,026 BUT WHEN I ARRIVE, 126 00:04:43,050 --> 00:04:44,817 I FIND THE SET'S BEEN DESTROYED. 127 00:04:44,917 --> 00:04:46,096 AND WORSE, 128 00:04:46,120 --> 00:04:47,320 THE ONLY COPY OF THE SCRIPT 129 00:04:47,420 --> 00:04:48,532 HAS BEEN RIPPED 130 00:04:48,556 --> 00:04:49,689 TO PIECES! 131 00:04:49,789 --> 00:04:51,034 WHAT AM I TO DO? 132 00:04:51,058 --> 00:04:52,325 [CRYING] 133 00:04:52,425 --> 00:04:53,937 - DON'T WORRY, - MR. VAN GHOUL. 134 00:04:54,027 --> 00:04:55,194 - WE'LL HELP YOU. 135 00:04:55,295 --> 00:04:57,240 - WE WILL? - WE WILL. 136 00:04:57,330 --> 00:04:58,642 AFTER ALL THE TIMES 137 00:04:57,330 --> 00:04:59,999 SCOOBY AND I IN TROUBLE, 138 00:04:58,666 --> 00:05:00,099 YOU GUYS HAVE GOTTEN 139 00:05:00,099 --> 00:05:01,261 YOU OWE US. 140 00:05:01,285 --> 00:05:02,468 - BIG TIME. 141 00:05:02,535 --> 00:05:04,203 - PLEASE? 142 00:05:04,304 --> 00:05:06,506 - WELL... OK. 143 00:05:06,606 --> 00:05:07,601 - OH, THANK YOU! 144 00:05:07,625 --> 00:05:08,641 THANK YOU! 145 00:05:08,708 --> 00:05:11,010 - THIS I GOT TO SEE. 146 00:05:11,110 --> 00:05:13,179 - GEORGE AVOCADOS? 147 00:05:13,279 --> 00:05:15,948 - THAT'S AVACADOS. 148 00:05:16,015 --> 00:05:17,043 - MR. AVOCADOS, 149 00:05:17,067 --> 00:05:18,117 WHAT ARE YOU DOING HERE? 150 00:05:18,184 --> 00:05:19,763 - SWEEPING. THAT'S WHAT 151 00:05:19,787 --> 00:05:21,387 A JANITOR DOES, ISN'T IT? 152 00:05:21,487 --> 00:05:22,622 - JANITOR? 153 00:05:22,689 --> 00:05:23,684 - AFTER YOU ALL DESTROYED 154 00:05:23,708 --> 00:05:24,724 MY FARM, 155 00:05:24,824 --> 00:05:25,919 THE ONLY JOB I COULD GET 156 00:05:25,943 --> 00:05:27,060 WAS BACK HERE AT CITY HALL 157 00:05:27,160 --> 00:05:28,461 AS A JANITOR! 158 00:05:28,528 --> 00:05:30,063 AND A GOOD THING, TOO. 159 00:05:30,163 --> 00:05:32,141 - NOW I GET TO WATCH YOU ALL - MAKE FOOLS OF YOURSELVES 160 00:05:32,165 --> 00:05:33,977 - TRYING TO PUT ON - THAT PLAY. 161 00:05:34,067 --> 00:05:35,635 AND WHEN YOU FAIL, 162 00:05:35,702 --> 00:05:36,947 I'LL BE HERE 163 00:05:36,971 --> 00:05:38,237 TO CLEAN UP YOUR MESS. 164 00:05:38,338 --> 00:05:40,673 [LAUGHS] 165 00:05:40,740 --> 00:05:41,968 - AVOCADOS! 166 00:05:41,992 --> 00:05:43,242 BACK TO WORK. 167 00:05:43,343 --> 00:05:45,411 - THAT'S AVACADOS. 168 00:05:47,513 --> 00:05:49,459 - BUT... - STIFLE IT, CHILES. 169 00:05:49,549 --> 00:05:52,585 PERICLES HAS THE FLOOR. 170 00:05:52,685 --> 00:05:54,347 - SO, THE KINDER STILL HAVE 171 00:05:54,371 --> 00:05:56,055 THE DISC. 172 00:05:56,155 --> 00:05:58,151 YOU COULDN'T EVEN MANIPULATE 173 00:05:58,175 --> 00:06:00,193 YOUR OWN SON? PATHETIC. 174 00:06:00,259 --> 00:06:01,494 - FINE. WE FAILED. 175 00:06:01,561 --> 00:06:02,706 - THAT'S RIGHT, BRAD. 176 00:06:02,730 --> 00:06:03,896 - NOT NOW, JUDY. 177 00:06:03,996 --> 00:06:05,442 AREN'T YOU THE SMART ONE 178 00:06:03,996 --> 00:06:06,933 THROUGH FRED'S RUSE? 179 00:06:05,466 --> 00:06:07,033 WHO SHOULD HAVE SEEN 180 00:06:07,033 --> 00:06:08,628 - DON'T PUSH ME, 181 00:06:08,652 --> 00:06:10,269 OLDER PRETTY BOY. 182 00:06:10,370 --> 00:06:12,939 I WANT THOSE PIECES, 183 00:06:13,039 --> 00:06:14,634 AND SINCE YOU 184 00:06:13,039 --> 00:06:16,275 DUMB BRIDE FAILED ME, 185 00:06:14,658 --> 00:06:16,376 AND YOUR SWEET, 186 00:06:16,376 --> 00:06:17,554 IT IS UP TO YOU 187 00:06:17,578 --> 00:06:18,778 TO RECOVER THEM 188 00:06:18,878 --> 00:06:21,714 BEFORE PEOPLE GET HURT. 189 00:06:25,885 --> 00:06:27,954 - MOST OF THE SCRIPT'S MISSING, 190 00:06:28,054 --> 00:06:28,054 - BUT IT LOOKS LIKE - THEY WERE TRYING 191 00:06:28,054 --> 00:06:29,622 TO TELL THE STORY 192 00:06:29,722 --> 00:06:30,700 OF FRIAR SERRA 193 00:06:30,724 --> 00:06:31,724 AND HIS DONKEY PORTO. 194 00:06:31,791 --> 00:06:33,169 - THE ONES - WHO SAVED EVERYONE 195 00:06:33,259 --> 00:06:35,071 - WHEN THE FIRST TOWN - OF CRYSTAL COVE SANK 196 00:06:35,194 --> 00:06:36,740 - INTO THE OCEAN? - MM-HMM. 197 00:06:36,863 --> 00:06:38,208 - LIKE, THE SAME UNDERWATER TOWN 198 00:06:38,232 --> 00:06:39,599 WITH THOSE KILLER ROBOTS? 199 00:06:39,699 --> 00:06:41,277 - BINGO. - HUH? 200 00:06:41,401 --> 00:06:42,568 [BOTH WHIMPER] 201 00:06:42,635 --> 00:06:43,936 - I STILL DON'T UNDERSTAND 202 00:06:44,036 --> 00:06:46,015 - WHY MR. LeFRANC AND DOOGLE - WOULD SMASH THE SET 203 00:06:46,105 --> 00:06:47,334 AND RUN OFF LIKE THAT. 204 00:06:47,358 --> 00:06:48,608 - TYPICAL THEATER FOLK. 205 00:06:48,708 --> 00:06:50,771 I ONCE SAW LIONEL BARRYMORE 206 00:06:48,708 --> 00:06:52,879 A LEAD PIPE. 207 00:06:50,795 --> 00:06:52,945 ATTACK A SETTEE WITH 208 00:06:52,945 --> 00:06:54,607 BUT WE'LL SHOW THEM 209 00:06:54,631 --> 00:06:56,315 WHO THE TRUE PROFESSIONALS ARE. 210 00:06:56,416 --> 00:06:58,061 - BUT WHAT ABOUT - THE ACTORS? 211 00:06:58,151 --> 00:07:01,821 - STOP! DON'T MOVE. 212 00:07:01,921 --> 00:07:04,624 THAT CHIN. THAT NOSE. 213 00:07:04,724 --> 00:07:06,153 YOU SHALL BE 214 00:07:06,177 --> 00:07:07,627 FRIAR GABRIELO SERRA, 215 00:07:07,727 --> 00:07:08,972 AND YOU SHALL BE 216 00:07:08,996 --> 00:07:10,263 HIS DONKEY PORTO. 217 00:07:10,329 --> 00:07:12,832 - WOW. A DONKEY! 218 00:07:12,932 --> 00:07:14,577 - I SHOULD BE ABLE - TO REBUILD THE SET. 219 00:07:14,667 --> 00:07:16,413 - AND I CAN MAKE - THE COSTUMES. 220 00:07:16,502 --> 00:07:18,248 - AND I'LL FINISH - WRITING THE PLAY. 221 00:07:18,337 --> 00:07:19,816 - OH, I LOVE IT. 222 00:07:19,840 --> 00:07:21,340 IT'S SO CLICHE! 223 00:07:21,441 --> 00:07:23,103 - BUT FIRST, I'LL NEED 224 00:07:21,441 --> 00:07:24,811 FRIAR SERRA AND PORTO. 225 00:07:23,127 --> 00:07:41,294 TO FIND OUT MORE ABOUT 226 00:07:41,294 --> 00:07:42,195 - [HISSES] 227 00:07:42,295 --> 00:07:43,429 - HUH? 228 00:07:46,199 --> 00:07:48,868 HMM. THAT'S WEIRD. 229 00:07:48,968 --> 00:07:50,430 HELLO? 230 00:07:50,454 --> 00:07:51,938 ANYBODY THERE? 231 00:07:52,004 --> 00:07:53,272 HELLO? 232 00:07:53,339 --> 00:07:54,707 OH! 233 00:07:54,807 --> 00:07:56,202 [GRUNTS] 234 00:07:56,226 --> 00:07:57,643 MY GLASSES! 235 00:08:00,880 --> 00:08:03,115 - [ROARS] 236 00:08:03,182 --> 00:08:05,218 - AAH! 237 00:08:08,387 --> 00:08:09,365 - [ROARING] 238 00:08:09,389 --> 00:08:10,389 - [GRUNTING] 239 00:08:10,490 --> 00:08:12,391 [SCREAMS] 240 00:08:17,830 --> 00:08:19,532 [PANTING] 241 00:08:19,632 --> 00:08:21,567 WHOA! OH! 242 00:08:21,667 --> 00:08:23,569 - [BOTH GRUNT] 243 00:08:23,669 --> 00:08:24,981 - AAH! 244 00:08:25,005 --> 00:08:26,339 - [GROWLS] 245 00:08:27,673 --> 00:08:30,843 - NO. STAY AWAY! 246 00:08:30,910 --> 00:08:32,205 I SHOULD NEVER HAVE TRANSFERRED 247 00:08:32,229 --> 00:08:33,546 MY DEAD WIFE'S BRAIN 248 00:08:33,646 --> 00:08:35,381 INTO AN EARTHWORM! 249 00:08:35,481 --> 00:08:37,494 - KISS ME, DARLING. 250 00:08:37,518 --> 00:08:39,552 MMM. 251 00:08:39,652 --> 00:08:42,388 - NO! NO! 252 00:08:42,488 --> 00:08:44,690 NOTICE MY ACTING TECHNIQUE HERE. 253 00:08:44,757 --> 00:08:46,620 I'M STILL IN LOVE WITH HER, 254 00:08:46,644 --> 00:08:48,528 YET REPULSED. 255 00:08:48,594 --> 00:08:49,762 - [CHEWING AND GRUNTING] 256 00:08:49,862 --> 00:08:51,764 - HEY, VELMA, MOVE. 257 00:08:51,864 --> 00:08:53,666 - VELMA, YOU ALL RIGHT? 258 00:08:53,733 --> 00:08:55,011 - POOR GIRL LOOKS LIKE 259 00:08:55,035 --> 00:08:56,335 SHE'S SEEN A GHOST. 260 00:08:56,402 --> 00:08:57,670 - TRY MUMMY. 261 00:08:57,737 --> 00:08:59,605 - MUMMY? 262 00:08:59,705 --> 00:09:01,384 - I THINK I KNOW WHY DOOGLE 263 00:09:01,408 --> 00:09:03,109 AND MR. LeFRANC RAN AWAY. 264 00:09:03,209 --> 00:09:04,337 - MY DEAR WOMAN, 265 00:09:04,361 --> 00:09:05,511 WHY DIDN'T YOU TELL ME 266 00:09:05,578 --> 00:09:07,690 - THIS PRODUCTION WAS PLAGUED - BY A MUMMY? 267 00:09:07,780 --> 00:09:09,342 - I DIDN'T KNOW 268 00:09:07,780 --> 00:09:10,950 WERE TELLING THE TRUTH! 269 00:09:09,366 --> 00:09:11,050 MR. LeFRANC AND DOOGLE 270 00:09:11,050 --> 00:09:12,361 - I THOUGHT - THEY WERE MAKING IT ALL UP 271 00:09:12,385 --> 00:09:13,625 - TO GET OUT - OF THE PRODUCTION 272 00:09:13,686 --> 00:09:15,431 - BECAUSE I WASN'T - PAYING THEM ENOUGH. 273 00:09:15,555 --> 00:09:16,733 - WAIT. 274 00:09:16,757 --> 00:09:17,957 YOU WERE PAYING THEM? 275 00:09:18,057 --> 00:09:19,302 WELL, I AM DONE 276 00:09:19,326 --> 00:09:20,593 WITH THIS CHARADE. 277 00:09:20,693 --> 00:09:22,128 - BUT WE'RE ALREADY SOLD OUT! 278 00:09:22,228 --> 00:09:23,872 - WE'RE HAVING CHURROS - SHIPPED IN SPECIAL. 279 00:09:23,896 --> 00:09:23,896 - THE NEWSPAPER'S - EVEN SENDING OVER 280 00:09:23,896 --> 00:09:25,798 THEIR BEST CRITIC 281 00:09:25,898 --> 00:09:28,768 VALDESH HELGENJEW. 282 00:09:28,868 --> 00:09:30,703 - HELGENJEW? 283 00:09:30,770 --> 00:09:32,572 OH, NO. NOT HIM! 284 00:09:32,638 --> 00:09:34,073 - LIKE, WHO'S HELGENJEW? 285 00:09:34,140 --> 00:09:35,975 - THE NORWEGIAN ME. 286 00:09:36,075 --> 00:09:37,070 WE USED TO GO UP 287 00:09:37,094 --> 00:09:38,110 FOR THE SAME PARTS. 288 00:09:38,210 --> 00:09:40,039 HE HATES ME BECAUSE 289 00:09:40,063 --> 00:09:41,914 I ALWAYS GOT THE ROLES OVER HIM. 290 00:09:41,981 --> 00:09:43,482 OH, HE'LL SAVAGE ME! 291 00:09:43,583 --> 00:09:45,217 HE'LL TEAR ME APART! 292 00:09:45,284 --> 00:09:46,646 - NO, HE WON'T. 293 00:09:46,670 --> 00:09:48,054 YOU'RE VINCENT VAN GHOUL! 294 00:09:48,120 --> 00:09:49,488 - YOU CAN DO THIS! 295 00:09:49,589 --> 00:09:51,557 - BUT... THE MUMMY... 296 00:09:51,624 --> 00:09:53,069 - DON'T WORRY, - MR. VAN GHOUL. 297 00:09:53,159 --> 00:09:54,938 - MYSTERY, INCORPORATED IS - ON THE CASE. 298 00:09:55,061 --> 00:09:56,506 - IF THERE IS A MUMMY FRIAR, 299 00:09:56,530 --> 00:09:57,997 WE'LL GET TO THE BOTTOM OF IT. 300 00:09:58,097 --> 00:09:59,175 - YOU MEAN IT? 301 00:09:59,199 --> 00:10:00,299 - OH, IT'S ON. 302 00:10:02,635 --> 00:10:04,246 - THAT MUST BE THE CASE - THAT USED TO HOLD 303 00:10:04,270 --> 00:10:05,949 - FRIAR SERRA'S - MUMMIFIED BODY. 304 00:10:06,072 --> 00:10:07,239 - BUT WHERE DID IT GO? 305 00:10:07,306 --> 00:10:08,975 - I WONDER WHAT THIS IS. 306 00:10:09,075 --> 00:10:10,242 [SNIFFS] 307 00:10:10,309 --> 00:10:11,477 - EWW. 308 00:10:11,577 --> 00:10:13,412 - APPEARS ORGANIC. 309 00:10:17,950 --> 00:10:20,019 - IT'S OVER HERE, TOO. 310 00:10:20,119 --> 00:10:21,414 IT'S ON ALL OF THESE 311 00:10:21,438 --> 00:10:22,755 BURLINGTON LIBRARY CRATES. 312 00:10:22,822 --> 00:10:23,800 - HEY, DAPH, 313 00:10:22,822 --> 00:10:24,824 SOME OF THIS STUFF 314 00:10:23,824 --> 00:10:24,924 MAYBE YOU COULD USE 315 00:10:24,924 --> 00:10:26,119 TO MAKE A FRIAR SERRA COSTUME 316 00:10:26,143 --> 00:10:27,360 FOR SHAGGY. 317 00:10:27,460 --> 00:10:29,172 - [ROARS] - HYAH! 318 00:10:29,295 --> 00:10:30,963 - [GRUNTS AND GROANS] 319 00:10:31,030 --> 00:10:33,532 - WOW. THAT WAS ANTICLIMACTIC. 320 00:10:33,633 --> 00:10:35,201 - [GROANS] 321 00:10:35,301 --> 00:10:36,869 - DOOGLE McGINNIS? 322 00:10:36,969 --> 00:10:38,064 - YOU'RE THE MUMMY? 323 00:10:38,088 --> 00:10:39,205 - OF COURSE NOT! 324 00:10:39,305 --> 00:10:40,984 - I JUST WANTED TO GET - MY COSTUME BACK. 325 00:10:41,107 --> 00:10:42,719 IT WAS CUSTOM-MADE 326 00:10:41,107 --> 00:10:44,377 BUTTOCKS DYSPLASIA. 327 00:10:42,743 --> 00:10:44,477 TO HIDE MY INHERITED 328 00:10:44,477 --> 00:10:45,645 - WHERE'S MR. LeFRANC? 329 00:10:45,711 --> 00:10:47,624 - WHO KNOWS? - HE'S DISAPPEARED. 330 00:10:47,713 --> 00:10:49,273 - AND WHAT WERE YOU ALL - TALKING ABOUT? 331 00:10:49,315 --> 00:10:50,694 WHY WOULD SHAGGY NEED 332 00:10:50,718 --> 00:10:52,118 A FRIAR SERRA COSTUME? 333 00:10:52,184 --> 00:10:54,097 - SINCE YOU - AND MR. LeFRANC LEFT, 334 00:10:54,186 --> 00:10:56,698 - WE'RE HELPING VINCENT VAN GHOUL - PUT ON THE PLAY WITHOUT YOU. 335 00:10:56,722 --> 00:10:58,234 - SHAGGY ROGERS IS PLAYING 336 00:10:58,258 --> 00:10:59,792 MY ROLE? 337 00:10:59,859 --> 00:11:01,021 I AM THE FINEST ACTOR 338 00:11:01,045 --> 00:11:02,228 IN CRYSTAL COVE! 339 00:11:02,328 --> 00:11:04,397 I CANNOT BE REPLACED! 340 00:11:04,497 --> 00:11:06,142 IF YOU DO THIS PLAY, 341 00:11:06,166 --> 00:11:07,833 YOU'RE DOOMED. 342 00:11:09,902 --> 00:11:11,714 - EVERYBODY, - LISTEN TO ME. 343 00:11:11,837 --> 00:11:14,217 THE CITY, SHE IS, LIKE, UH, 344 00:11:14,241 --> 00:11:16,642 FALLING INTO THE SEA. 345 00:11:16,709 --> 00:11:17,937 COME WITH US 346 00:11:17,961 --> 00:11:19,211 IF YOU WANT TO LIVE. 347 00:11:19,311 --> 00:11:21,747 - UH, I'M A DONKEY? 348 00:11:21,847 --> 00:11:23,315 - BOO! 349 00:11:23,382 --> 00:11:26,052 - BACK TO WORK, AVOCADOS! 350 00:11:26,152 --> 00:11:28,131 - DON'T WORRY. 351 00:11:26,152 --> 00:11:30,156 A PART OF THE CRAFT. 352 00:11:28,155 --> 00:11:30,222 RIDICULE IS ALL 353 00:11:30,222 --> 00:11:31,851 - LIKE, RIGHT NOW, 354 00:11:30,222 --> 00:11:33,526 IN CRAFT SERVICES. 355 00:11:31,875 --> 00:11:33,592 I'M MORE INTERESTED 356 00:11:33,592 --> 00:11:35,538 - WHAT DO YOU SAY, SCOOB? - BREAK TIME? 357 00:11:35,661 --> 00:11:37,396 - YEAH. YUM! 358 00:11:39,031 --> 00:11:40,499 - I'M DOOMED. 359 00:11:40,566 --> 00:11:42,061 - YES, YOU ARE! 360 00:11:42,085 --> 00:11:43,602 [LAUGHS] 361 00:11:43,703 --> 00:11:45,104 - AVOCADOS! 362 00:11:45,204 --> 00:11:48,374 - [MUNCHING] 363 00:11:48,441 --> 00:11:49,875 - YOU FIND ANYTHING? 364 00:11:49,942 --> 00:11:51,587 - JUST A HAM - IN A FRIAR'S COSTUME 365 00:11:51,711 --> 00:11:53,256 - WHO DOESN'T WANT - THE SHOW TO GO ON. 366 00:11:53,379 --> 00:11:55,614 - AH. HMM? 367 00:11:55,715 --> 00:11:56,776 - READ MY MIND, BUDDY. 368 00:11:56,800 --> 00:11:57,883 HOO-HOO! 369 00:11:57,950 --> 00:11:59,552 - IT DOESN'T MAKE SENSE. 370 00:11:59,618 --> 00:12:01,178 - WHY WOULD DOOGLE SABOTAGE - THIS SHOW? 371 00:12:01,253 --> 00:12:02,755 - HUH? 372 00:12:02,855 --> 00:12:04,256 - NOW WHAT? 373 00:12:05,691 --> 00:12:07,754 - YOU MUST NOT EVOKE 374 00:12:07,778 --> 00:12:09,862 THE MEMORY OF NIBIRU! 375 00:12:09,929 --> 00:12:11,741 THE TELLING OF THE STORY 376 00:12:11,765 --> 00:12:13,599 MUST NEVER BE HEARD! 377 00:12:13,699 --> 00:12:16,569 HE WILL FEED ON IT. 378 00:12:16,635 --> 00:12:18,471 NIBIRU WILL GROW STRONGER, 379 00:12:18,571 --> 00:12:19,749 AND YOU WILL NEVER BE ABLE 380 00:12:19,773 --> 00:12:20,973 TO STOP HIM! 381 00:12:21,073 --> 00:12:22,975 - [SCREAMING] 382 00:12:25,611 --> 00:12:26,856 - AAH! 383 00:12:26,880 --> 00:12:28,147 - [ALL GRUNT] 384 00:12:28,247 --> 00:12:30,543 - DANGER! YOU ARE ALL 385 00:12:30,567 --> 00:12:32,885 IN HORRIBLE DANGER! 386 00:12:32,952 --> 00:12:33,986 - [SCREAMS] 387 00:12:34,086 --> 00:12:36,322 - [LAUGHS] 388 00:12:39,792 --> 00:12:40,926 - AAH! 389 00:12:40,993 --> 00:12:42,038 - YOU WILL NEVER BE ABLE 390 00:12:42,062 --> 00:12:43,129 TO STOP HIM! 391 00:12:43,229 --> 00:12:45,498 [GROWLS] 392 00:12:45,598 --> 00:12:48,901 [GROANS] 393 00:12:50,636 --> 00:12:51,737 - LIKE, WHAT JUST HAPPENED? 394 00:12:51,804 --> 00:12:52,916 - THIS TIME, 395 00:12:52,940 --> 00:12:54,073 I HAVE NO IDEA. 396 00:12:54,140 --> 00:12:56,486 - HEY, REMEMBER DOOGLE McGINNIS - DID SAY WE WERE DOOMED 397 00:12:56,609 --> 00:12:57,887 - IF WE TRIED - TO DO THE PLAY. 398 00:12:57,977 --> 00:12:59,389 - NO. IT'S THAT CRITIC 399 00:12:59,413 --> 00:13:00,846 VALDESH HELGENJEW. 400 00:13:00,946 --> 00:13:02,725 - HE'S OUT TO RUIN ME - ONCE AND FOR ALL. 401 00:13:02,815 --> 00:13:04,183 - WHAT ABOUT MR. LeFRANC? 402 00:13:04,283 --> 00:13:05,295 NOBODY'S SEEN HIM 403 00:13:05,319 --> 00:13:06,352 SINCE THE INITIAL ATTACK. 404 00:13:06,452 --> 00:13:07,787 - ONE THING'S FOR SURE... 405 00:13:07,853 --> 00:13:09,598 - IF WE'RE GOING TO GET - TO THE BOTTOM OF THIS, 406 00:13:09,622 --> 00:13:11,190 THE SHOW MUST GO ON! 407 00:13:11,290 --> 00:13:13,125 - HUH? [WHIMPERING] 408 00:13:25,938 --> 00:13:28,541 - [BRAYING] 409 00:13:28,641 --> 00:13:30,643 - [BOTH BRAYING] 410 00:13:48,661 --> 00:13:50,396 - [GROANS] 411 00:13:54,333 --> 00:13:56,596 - HMM. THERE HE IS, 412 00:13:56,620 --> 00:13:58,904 HELGENJEW. 413 00:13:59,004 --> 00:14:00,566 OH, I'M SO NERVOUS, 414 00:14:00,590 --> 00:14:02,174 I THINK I'M GOING TO TINKLE. 415 00:14:02,241 --> 00:14:03,720 - NO TIME. 416 00:14:03,744 --> 00:14:05,244 YOU GUYS ARE ON IN 5 MINUTES. 417 00:14:05,344 --> 00:14:07,546 [CHEERING AND APPLAUSE] 418 00:14:11,350 --> 00:14:14,920 - NOW, THE HOUR HAS COME TO BE. 419 00:14:15,020 --> 00:14:16,866 THE EARTH AND OCEAN 420 00:14:16,890 --> 00:14:18,757 DON'T AGREE. 421 00:14:18,858 --> 00:14:20,837 THE FAULT HAS SPLIT. 422 00:14:20,861 --> 00:14:22,862 HERE COMES THE FLOOD 423 00:14:22,928 --> 00:14:25,124 TO DESTRUCTIFY 424 00:14:25,148 --> 00:14:27,366 Y'ALL'S NEIGHBORHO'D. 425 00:14:27,433 --> 00:14:28,995 NO TIME TO RUN. 426 00:14:29,019 --> 00:14:30,603 THERE'S ONLY PANIC 427 00:14:30,703 --> 00:14:33,249 WHILE THE MISSION FALLS 428 00:14:33,273 --> 00:14:35,841 INTO THE ATLANTIC. 429 00:14:35,908 --> 00:14:37,103 - IT'S THE PACIFIC, 430 00:14:37,127 --> 00:14:38,344 YOU HACK! 431 00:14:38,410 --> 00:14:39,856 - [LAUGHTER] 432 00:14:39,880 --> 00:14:41,347 - UM, UH, UMMM... 433 00:14:41,413 --> 00:14:42,475 [LAUGHTER] 434 00:14:42,499 --> 00:14:43,582 [DANCE MUSIC PLAYING] 435 00:14:55,728 --> 00:14:58,364 - ♪ SO, LIKE, WE'RE SINKING ♪ 436 00:14:58,430 --> 00:15:00,733 - ♪ INTO THE SEA ♪ 437 00:15:00,799 --> 00:15:02,445 ♪ BECAUSE I'M PORTO, 438 00:15:02,469 --> 00:15:04,136 A SUPER DONKEY! ♪ 439 00:15:04,236 --> 00:15:06,015 - ♪ THE EARTHQUAKE'S - LIKE A SIEVE ♪ 440 00:15:06,105 --> 00:15:07,584 ♪ SO COME WITH ME 441 00:15:07,608 --> 00:15:09,108 IF YOU WANT TO LIVE ♪ 442 00:15:09,208 --> 00:15:10,743 - UH... 443 00:15:10,809 --> 00:15:12,922 - ♪ LIKE, THE ONLY ONES TO SAVE 444 00:15:12,946 --> 00:15:15,080 YOU ARE MY DONKEY AND ME ♪ 445 00:15:16,448 --> 00:15:17,426 [CLICKS] 446 00:15:17,450 --> 00:15:18,450 [BUZZING] 447 00:15:18,550 --> 00:15:20,319 - [ALL GASP] 448 00:15:20,419 --> 00:15:21,420 [CROWD MURMURS] 449 00:15:21,487 --> 00:15:23,289 - [GROWLS] 450 00:15:25,491 --> 00:15:27,470 I WARNED YOU 451 00:15:27,494 --> 00:15:29,495 NOT TO TELL MY STORY. 452 00:15:29,595 --> 00:15:31,463 [GROWLING] 453 00:15:31,563 --> 00:15:33,332 [HISSES] 454 00:15:33,432 --> 00:15:35,467 - [ALL GASP] 455 00:15:35,567 --> 00:15:37,413 - [GROWLING] - [SCREAMING] 456 00:15:39,939 --> 00:15:41,267 LOOK OUT! 457 00:15:41,291 --> 00:15:42,641 - AAH! 458 00:15:42,741 --> 00:15:44,610 [WHIMPERS AND LAUGHS] 459 00:15:44,677 --> 00:15:46,478 - [GROWLING] 460 00:15:48,447 --> 00:15:50,349 - [GRUNTS] 461 00:15:50,449 --> 00:15:51,750 - [PANTING] OH! 462 00:15:51,817 --> 00:15:53,129 - AAH! TAKE THAT! - HEY! 463 00:15:53,252 --> 00:15:55,321 - [GROWLING] 464 00:15:56,455 --> 00:15:58,290 - [SCREAMING] 465 00:16:01,827 --> 00:16:03,295 - [BOTH GASP] 466 00:16:08,667 --> 00:16:09,702 - WHOA! OH! 467 00:16:09,802 --> 00:16:11,414 - [CROWD GASPS] - OH! 468 00:16:11,503 --> 00:16:14,707 - [SNARLING] 469 00:16:16,108 --> 00:16:17,286 - [CROWD GASPS 470 00:16:17,310 --> 00:16:18,510 [AND MURMURS] 471 00:16:18,610 --> 00:16:20,446 - [PANTING] 472 00:16:20,512 --> 00:16:21,880 - CHURRO! 473 00:16:21,981 --> 00:16:24,183 - [CHOKING] 474 00:16:24,283 --> 00:16:25,695 - NOW! - [GRUNTS] 475 00:16:25,818 --> 00:16:27,820 - [GRUNTING] 476 00:16:27,886 --> 00:16:29,989 [GROANS] 477 00:16:30,055 --> 00:16:33,325 [CHEERING AND APPLAUSE] 478 00:16:36,795 --> 00:16:38,658 - NOW, LET'S SEE 479 00:16:38,682 --> 00:16:40,566 WHO THIS GHOSTLY MONK REALLY IS. 480 00:16:40,666 --> 00:16:42,901 - GEORGE AVOCADOS? 481 00:16:43,002 --> 00:16:44,681 - THAT'S AVAC... 482 00:16:44,705 --> 00:16:46,405 AH. OH, FORGET IT. 483 00:16:46,505 --> 00:16:47,683 THAT'S RIGHT, 484 00:16:47,707 --> 00:16:48,907 IT IS ME. 485 00:16:49,008 --> 00:16:50,653 - YES! FINALLY! 486 00:16:49,008 --> 00:16:52,344 THE VILLAIN EVENTUALLY. 487 00:16:50,677 --> 00:16:52,411 I KNEW YOU'D BE 488 00:16:52,411 --> 00:16:54,057 - ALL RIGHT, YOU GOT ME. 489 00:16:54,081 --> 00:16:55,748 AND I SUPPOSE YOU'RE WONDERING, 490 00:16:55,848 --> 00:16:57,360 AFTER SO MANY PRIOR MISDIRECTS, 491 00:16:57,384 --> 00:16:58,917 WHY NOW. 492 00:16:59,018 --> 00:17:00,363 - ACTUALLY, NO. - NOT REALLY. 493 00:17:00,486 --> 00:17:02,331 - WE KIND OF ALWAYS KNEW - YOU WERE EVIL. 494 00:17:02,421 --> 00:17:04,517 - HMMPH! OK, FINE. 495 00:17:02,421 --> 00:17:06,658 NOT SURPRISE. 496 00:17:04,541 --> 00:17:06,725 THEN MY TALE SHOULD 497 00:17:06,725 --> 00:17:08,421 IT ALL BEGAN 498 00:17:08,445 --> 00:17:10,162 AFTER I FAILED IN POLITICS. 499 00:17:10,229 --> 00:17:11,507 I HAD NO CHOICE BUT TO GO 500 00:17:11,531 --> 00:17:12,831 INTO THE FAMILY BUSINESS... 501 00:17:12,898 --> 00:17:15,200 FARMING AVOCADOS. 502 00:17:15,267 --> 00:17:17,102 EVERYTHING WAS GOING SO WELL 503 00:17:17,202 --> 00:17:18,881 UNTIL YOU MYSTERY BRATS 504 00:17:18,905 --> 00:17:20,606 BLEW UP MY CROPS. 505 00:17:22,207 --> 00:17:24,136 I THEN TRIED MY HAND 506 00:17:24,160 --> 00:17:26,111 AT FORTUNE TELLING. 507 00:17:26,211 --> 00:17:29,081 BUT WHEN THAT ENDEAVOR FAILED... 508 00:17:29,181 --> 00:17:30,159 I FELL BACK ON 509 00:17:30,183 --> 00:17:31,183 THE AVACADOS LEGACY 510 00:17:31,250 --> 00:17:32,462 OF STEALING 511 00:17:32,486 --> 00:17:33,719 OTHER PEOPLE'S THINGS. 512 00:17:35,354 --> 00:17:36,799 I LOCATED THE AVACADOS DIAMOND, 513 00:17:36,823 --> 00:17:38,290 STOLEN BY MY FATHER. 514 00:17:38,390 --> 00:17:39,869 TURNS OUT, IT ACTUALLY WAS 515 00:17:39,893 --> 00:17:41,393 DISGUISED AS A DOOR KNOB... 516 00:17:41,460 --> 00:17:43,105 - NOT ON A DOOR - IN CRYSTAL COVE, 517 00:17:43,228 --> 00:17:45,107 - BUT ON A DOOR AT - THE BURLINGTON LIBRARY. 518 00:17:47,533 --> 00:17:49,373 - WHEN I FOUND OUT - IT WAS AMONG THE ARTIFACTS 519 00:17:49,401 --> 00:17:50,379 SENT HERE 520 00:17:50,403 --> 00:17:51,403 FOR THE PRODUCTION. 521 00:17:51,470 --> 00:17:53,472 I TOOK A JOB AS A JANITOR. 522 00:17:53,572 --> 00:17:55,572 - I NEEDED EVERYONE TO STAY CLEAR - OF THE BASEMENT 523 00:17:55,641 --> 00:17:57,219 - TO GIVE ME - TIME TO LOOK. 524 00:18:01,113 --> 00:18:02,475 I HID THE BODY OF FRIAR SERRA 525 00:18:02,499 --> 00:18:03,882 IN A CLOSET 526 00:18:03,949 --> 00:18:05,651 AND ASSUMED HIS IDENTITY. 527 00:18:05,751 --> 00:18:07,363 - KNOWING THIS TOWN'S - GULLIBILITY, 528 00:18:07,453 --> 00:18:09,032 I KNEW A GHOST STORY 529 00:18:09,056 --> 00:18:10,656 WOULD GIVE ME ROOM TO HUNT. 530 00:18:10,756 --> 00:18:13,258 AND I WOULD HAVE SUCCEEDED, TOO, 531 00:18:13,325 --> 00:18:14,854 IF IT WEREN'T FOR 532 00:18:14,878 --> 00:18:16,428 VINCENT VAN GHOUL. 533 00:18:16,495 --> 00:18:17,663 - MOI? 534 00:18:17,763 --> 00:18:18,775 - SO THE BROWN RESIDUE 535 00:18:18,799 --> 00:18:19,832 THAT WAS LEFT BEHIND... 536 00:18:19,932 --> 00:18:21,027 - THAT'S RIGHT. 537 00:18:21,051 --> 00:18:22,167 GUACAMOLE! 538 00:18:22,267 --> 00:18:25,504 NOW, I WANT MY DIAMOND! 539 00:18:25,604 --> 00:18:28,307 - LET ME SEE SOMETHING. 540 00:18:28,407 --> 00:18:30,319 - THIS CRYSTAL IS - THE DIAMOND! 541 00:18:30,442 --> 00:18:32,321 - BUT, LIKE, HOLD ON. - IF YOU WERE THE FRIAR, 542 00:18:32,444 --> 00:18:34,156 - HOW DID YOU APPEAR - AT THE REHEARSALS? 543 00:18:34,279 --> 00:18:35,341 - I DIDN'T. 544 00:18:35,365 --> 00:18:36,448 I ASSUMED THAT WAS 545 00:18:36,515 --> 00:18:38,127 YOU MEDDLING KIDS 546 00:18:36,515 --> 00:18:39,785 INTO REVEALING MYSELF. 547 00:18:38,151 --> 00:18:39,852 TRYING TO TRICK ME 548 00:18:39,852 --> 00:18:41,653 - HUH? 549 00:18:43,455 --> 00:18:45,324 [INDISTINCT RADIO CHATTER] 550 00:18:48,961 --> 00:18:51,330 - OH! HERE COMES HELGENJEW. 551 00:18:51,430 --> 00:18:53,259 I'M RUINED! 552 00:18:53,283 --> 00:18:55,134 [WHIMPERS] 553 00:18:55,200 --> 00:18:56,869 [GROANS] 554 00:18:56,969 --> 00:18:58,647 - THAT WAS - THE SINGLE GREATEST PIECE 555 00:18:58,770 --> 00:19:01,133 OF ABSURDIST META THEATER 556 00:19:01,157 --> 00:19:03,542 THAT I HAVE EVER WITNESSED. 557 00:19:03,642 --> 00:19:04,887 - OH! 558 00:19:04,911 --> 00:19:06,178 - OH, THANK YOU, SIR. 559 00:19:06,278 --> 00:19:07,373 YOU KNOW, 560 00:19:07,397 --> 00:19:08,514 IT CAME TO ME IN A FLASH, 561 00:19:08,614 --> 00:19:10,526 - AN INSPIRATION, - TOUCHED BY THE MUSE... 562 00:19:10,649 --> 00:19:13,685 [CONTINUES INDISTINCTLY] 563 00:19:13,785 --> 00:19:15,364 - WELL, GANG, I THINK 564 00:19:15,388 --> 00:19:16,989 WE CAN PUT THIS MYSTERY TO BED. 565 00:19:17,055 --> 00:19:18,501 - [LAUGHS] - LIKE, YEAH. 566 00:19:18,624 --> 00:19:20,335 - AND I CAN'T WAIT TO GET - ALL THIS STUFF PUT AWAY 567 00:19:20,359 --> 00:19:21,827 SO WE CAN GO CELEBRATE... 568 00:19:21,894 --> 00:19:24,963 - AT THE CLAM CABIN! 569 00:19:27,833 --> 00:19:29,535 - WHAT THE WHAT? 570 00:19:29,635 --> 00:19:31,670 - THAT'S WEIRD. 571 00:19:31,737 --> 00:19:33,505 HOW'D HE GET BACK IN THERE? 572 00:19:33,572 --> 00:19:35,167 - HOO-HOO! NO, NO. 573 00:19:33,572 --> 00:19:36,808 AROUND TO FIND OUT. 574 00:19:35,191 --> 00:19:36,875 LIKE, LET'S NOT WAIT 575 00:19:36,875 --> 00:19:37,987 [CLICKS] 576 00:19:38,011 --> 00:19:39,144 - HUH? 577 00:19:42,681 --> 00:19:45,217 - YOU ARE STILL IN DANGER. 578 00:19:45,317 --> 00:19:46,929 THE STORY OF CRYSTAL COVE IS 579 00:19:46,953 --> 00:19:48,587 A LIE. 580 00:19:48,687 --> 00:19:50,283 THE DONKEY NEVER TRIED 581 00:19:50,307 --> 00:19:51,924 TO HELP SAVE THE TOWN, 582 00:19:52,024 --> 00:19:55,494 BUT TO DESTROY IT. 583 00:19:55,561 --> 00:19:57,590 THERE WERE 4 OF US AND PORTO 584 00:19:57,614 --> 00:19:59,665 IN THE FRATERNITAS MYSTERIUM, 585 00:19:59,731 --> 00:20:01,310 A GROUP OF 586 00:20:01,334 --> 00:20:02,935 MYSTERY-SOLVING FRIARS. 587 00:20:06,205 --> 00:20:07,266 WE ENCOUNTERED 588 00:20:07,290 --> 00:20:08,373 A CONQUISTADOR. 589 00:20:10,442 --> 00:20:11,487 HE TOLD US 590 00:20:11,511 --> 00:20:12,578 A TALE OF GREAT EVIL 591 00:20:12,678 --> 00:20:14,373 BEFORE HIS MADNESS GOT 592 00:20:14,397 --> 00:20:16,114 THE BEST OF HIM. 593 00:20:16,215 --> 00:20:18,027 - AND HE VANISHED - IN THE NIGHT. 594 00:20:18,116 --> 00:20:19,745 HE LEFT BEHIND 595 00:20:19,769 --> 00:20:21,420 TWO ODDLY-MARKED DISC PIECES. 596 00:20:24,423 --> 00:20:25,902 WE QUICKLY BECAME OBSESSED 597 00:20:25,926 --> 00:20:27,426 WITH THE PIECES. 598 00:20:27,526 --> 00:20:29,038 WE REALIZED THAT THERE WAS 599 00:20:29,062 --> 00:20:30,596 AN EVIL AT WORK. 600 00:20:30,696 --> 00:20:31,974 WE ATTEMPTED 601 00:20:31,998 --> 00:20:33,298 TO DESTROY THE PIECES 602 00:20:33,398 --> 00:20:35,277 - TO RID US, - AND THE TOWN, OF EVIL. 603 00:20:35,400 --> 00:20:37,279 - BUT THE EVIL - WOULD NOT ALLOW US. 604 00:20:37,402 --> 00:20:38,937 [THUNDER] 605 00:20:39,037 --> 00:20:41,306 THE EVIL MANIPULATED PORTO. 606 00:20:41,406 --> 00:20:43,035 PORTO SET OUT 607 00:20:43,059 --> 00:20:44,710 TO DESTROY THE TOWN. 608 00:20:54,486 --> 00:20:56,515 WE CHASED PORTO TO 609 00:20:54,486 --> 00:20:58,590 SWAMPS OUTSIDE OF TOWN. 610 00:20:56,539 --> 00:20:58,657 THE ALLIGATOR-INFESTED 611 00:20:58,657 --> 00:20:59,852 PORTO WAS DRAGGED AWAY 612 00:20:59,876 --> 00:21:01,093 BY THE ALLIGATORS, 613 00:21:01,159 --> 00:21:02,855 BUT NOT BEFORE 614 00:21:01,159 --> 00:21:04,596 THE ONE PIECE HE TOOK. 615 00:21:02,879 --> 00:21:11,303 I WAS ABLE TO RETRIEVE 616 00:21:11,303 --> 00:21:12,598 THE OTHER PIECE, 617 00:21:12,622 --> 00:21:13,939 THANKFULLY, 618 00:21:14,006 --> 00:21:15,918 - WAS LOST AT - THE BOTTOM OF THE OCEAN 619 00:21:16,008 --> 00:21:17,553 WHEN CRYSTAL COVE SANK 620 00:21:17,577 --> 00:21:19,144 INTO THE SEA. 621 00:21:19,244 --> 00:21:21,490 IT WAS UP TO ME, NOW, 622 00:21:21,514 --> 00:21:23,782 TO HIDE THE LAST PIECE. 623 00:21:27,352 --> 00:21:28,920 BEWARE. 624 00:21:28,987 --> 00:21:31,156 NIBIRU IS COMING. 625 00:21:31,256 --> 00:21:32,835 - THIS HAS - ALL HAPPENED BEFORE. 626 00:21:32,958 --> 00:21:33,953 IT BEGINS 627 00:21:33,977 --> 00:21:34,993 WITH THE ANIMAL, 628 00:21:35,093 --> 00:21:37,195 ALWAYS THE ANIMAL. 629 00:21:37,296 --> 00:21:38,591 HEED THE WARNING 630 00:21:38,615 --> 00:21:39,931 OF THE ALLIGATORS. 631 00:21:39,998 --> 00:21:43,035 THE DOG DIES. 632 00:21:50,275 --> 00:21:51,987 - [GULPS] - THE DOG DIES? 633 00:21:52,110 --> 00:21:54,379 IS HE TALKING ABOUT ME?